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A raucous New Year's Eve 1999 party comedy that weaponizes millennial nostalgia with surprising sharpness. It's messy, loud, and occasionally brilliant — like the decade it's mourning.
Wes Anderson returns with a labyrinthine caper stuffed with spies, inheritance schemes, and his most visually precise work in years. It's mannered by design — and it earns every affectation.
Wes Anderson's most purely joyful film is also his most technically dazzling. A murder mystery wrapped in pink frosting, with Ralph Fiennes doing career-best work in a role nobody else could touch.